Brazilian music

Águas de Março em Funkhaus

Music

This month I’d like to feature an exceptional event which I had a chance to participate in Berlin’s emblematic concert hall, Funkhaus. Since last weekend marked the first spring days (at least in theory) after a long and dark winter, celebrating this fact with Brazilian music, and authentic caipirinhas, felt like the most adequate thing to do!

Berlin’s Funkhaus curates some of the most amazing concert sessions since good couple of years, and I am a regular guest returning for the wide variety of top-notch music makers they showcase, from techno to bossanova.

I was delighted to sit in a front row in front of the artists who made such an impact and influenced the years of MPB, as Funkhaus offers a very intimate stage experience if only you wish to come as close. The event was connected to a broader charity campaign for the cause of saving the Amazon forest, and contained of Daniel’s and Paulo Jobim’s band together with Vanessa da Mata who rarely have a chance to play together. It gave the show a very spontaneous friends & family jam feeling.

Once again I am thankful to be in Berlin, thousands of miles away from one of my favourite places I once lived in, and be able to experience Brazilian culture at its finest. With Águas de Março in this part of the world, I am very happy to welcome the brighter, sunnier and hopefully warmer days to come when Berlin changes its face and becomes more of an open air carnival festival.

Thirsty for sunlight, happiness and positive vibes I announce the springtime has arrived with the sounds of MPB! Even if we’re still to experience snow, and crazy climate changes throughout the year. Which makes us only reflect more about our place on Earth, how we treat it and how we can make the most of our local place we live in. Which is a different topic, so I’ll let the music speak.

It snows in Brazil sometimes

Music, Travel

I don’t go chasing waterfalls only, I deliberately look for paradox in life too. I got sunburnt in the Northernmost places of our planet, but I also managed to see a monkey covered in snow in Brazil. So while I am enjoying a balmy 20 degrees Celcius evening in Berlin, I do sympathise with the other hemisphere where it gets rather gloomy and cold these days.

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So the photos above don’t come from Spreepark in Berlin, they come from MARGS – Museu de Arte do Rio Grande do Sul in Porto Alegre where I stayed for a couple of wintery days in September 2013.  This post is about breaking some stereotypes or attributions, and not the weather forecast though. Much as I love listening to MPB, drinking coconut water, or wearing Brazilian bikini, there’s more than that in the discourse about the complex, multicultural and huge country like Brazil. I am a sucker for its literature, architecture, art and fashion, and recently: techno music.

My daily Upload feature on SoundCloud suggest me more and more Brazilian artists who are producing really deep, industrial and groovy sounds. Last summer was definitely heavily influenced by the produced CoastDream whose dreamy house kick was constantly on my rewind.

On that note, the Brazilian community of producers and DJs is also abundant. I am very lucky to have met a very ambitious, open-minded and talented producer Pedro Passoni. Although he came back to São Paulo early this year, he continues to amaze me with his new productions, currently experimenting the darker side of the EDM.

Fortunately, I believe that the darker side of techno and house in Brazil is not as rare as the view of the aforementioned monkey in the snow. Electronic music represents the progressive, diverse, free space and rhythm – something that not only Brazil, but the whole world needs now more than ever. I stay connected and sending only the most positive vibes to all my Brazilian friends who make a positive change in their country. Against all odds, I plan my next trip to their amazing country within the next couple of months, when the snow will be back in Berlin. Stay tuned and vibe!

São Paulo: abstraction and society

Music

One of my highlights last month was a business trip to London where I had a chance to learn a lot and meet a lot of new inspirational people. Apart from that, there is no visit in London for me without checking the Art Cathedral: Tate Modern, so during the weekend I spent endless hours binge-eating modern art.

Among various exhibitions, I was particularly happy to see the corner dedicated to Tropicália movement and abstract art coming from São Paulo Biennale. It was founded in 1951, during a moment of very rapid economic growth and urban development in Brazil.

A decade later, Tropicália movement emerged in theatre, poetry, cinema, music and art as a critical response to the political crisis, Brazilian stereotypes and disparate influences. In the music world, Gal Costa, Elis Regina, Caetano Veloso and Gilberto Gil are the most famous artists to name. Here’s one of my fave songs by Elis Regina:

A tua falta somada
A minha vida tão diminuída
Com esta dor multiplicada
Pelo fator despedida

Deixou minh’alma muito dividida
Em frações tão desiguais
E desde a hora em que você foi embora
Eu sou um zero e nada mais

In poetry, Roberta Camila Salgado published her works during the times of political repression and censorship:

céu escuro por que não limpas e iluminas o meu mundo?

So thanks to this exhibition I travelled back in time to Brazil where not only I’ve spent some time living in Brasilia, but also have been travelling around the country between 2011-2013. Nowadays I am no longer up to date following up on social and political crises, but prefer to focus on discovering progressive and bold artists which emerge a new movement 50 years later.

Having said that, I’d like to acknowledge my São Paulo-based friends producing quality techno and house which is already influencing dancefloors beyond Brazil, as well as fighting for the parity for women in the electronic music scene.

 

 

 

 

 

Brazilian Jazz Carnival in Berlin

Music

Two years have passed in an Augenblick (like Germans like to define “the time that flies”) since I have moved to Berlin. I would lie, if I said I don’t miss Barcelona, Brazil, Portugal and my hometown Poznan from time to time. Travelling is relatively cheap and easy these days, at least to some of these locations though, so I don’t happen to be homesick too often to be honest.

Especially that I feel very happy where I am now, both personally, and professionally, and Berlin keeps surprising me every day with its amazing cultural offer. I even realised how I can cope best with the dark and cold days throughout roughly half of the year. Concerts and dancing are among my most powerful weapons!

It is also fair to say, that during these two years, I have met amazing people from all over the world sharing my passions and at the same time showing new perspectives, opening my mind and enriching my life.

More importantly, I keep speaking Portuguese. Be it at work with my Portuguese-speaking colleagues (or those wanting to simply learn and practice!), be it with my good old or newly acquired friends. Berlin has an incredible offer of Latin American movie festivals as well as concerts of all the music genres,  out of which I happened to see two of my Brazilian jazz gurus this year already.

I am very honoured to have seen Ed Motta earlier this year, and Azymuth trio only yesterday. There are very few artists which inspired so many DJs and producers much as they did. Actually, I can’t think of any dancefloor which wouldn’t go crazy if a DJ dropped ‘Jazz Carnival’, regardless of the location. As a consequence, their tracks have been often remixed and incorporated into legendary mixes. I was hoping to see them live for a very long time, especially when I noticed that they were featured at the Boiler Room session and announced their European tour.

A thought that occurred to me yesterday, was about the universal and timeless aspect of music. Even though Azymuth members could be my grandparents, and most of their tracks are much more older than I am, their sound is moving the crowds to a state of frantic trance.

Muito obrigada, Maestros and long live Brazilian jazz!

Nascer do sol – Portuguese encounters in Japan

Music, Travel

I am happy to say that I spent the majority of this month in amazing Japan. I have dreamt about this trip for a long time and it has finally come true. Great part of it was dedicated to some musical research, as I knew that Japan is great source of digging the vinyl shelves and a lot of the DJs and producers I respect researched quite a lot on the streets of Tokyo, Kyoto or Osaka.

I was always very intrigued by the fact that there is so much Portuguese speakers living in Japan. Partly, this may be due to massive immigration of Brazilian nationals to industrial cities like Nagoya, and the other way round a lot of Japanese migrating to Brazil. Actually, my first encounter with the Japanese culture was in 2013 in Liberdade, São Paulo’s district, home of thousands of Japanese descendants. Yes, I got to use the famous Japanese toilet ToTo there! But speaking seriously, I discovered Portuguese influences in Japanese music early when I discovered new jazz producers in the early 2000s, to name a few: Hajime Yoshizawa, or Kyoto Jazz Massive which I would like to list as sources of my inspiration.

There are influences reaching fur beyond music. While visiting the city of Nagasaki, I learned that for years, it has been an important port for various sailors from the European countries, to name the Dutch, the Spanish and the Portuguese on the far East. After the Portuguese, a sweet memory was left: a sponge cake called Castella. 

Finally, during my trip I got to know pretty amazing Japanese people interested in music: from Detroit techno, through soulful hip-hop up to exotic influences of music of Cabo Verde. It is hard to summarise the variety of all these encounters in one blog post, but I wanted to encourage everyone to discover the country through the sound and multicultural influences. And even if the country of the Rising Sun is one of the most remote and isolated places, it’s full of contrasts, inspirations and definitely is a great place to discover new music styles.

 

Stay True – Boiler Room in Portugal

Music

In my last post I mentioned a lot about how Afrolusobrasilian culture is present in Lisbon. You may also have noticed that I am getting regularly inspired by the Portuguese capital when it comes to sound searching.

I am very happy to confirm that in September I’ll be visiting LISB:ON festival, where I will have a chance to see Brazilian artists like Marcos Valle or Azymuth, not so easy to spot at the concerts these days. This festival, being a part of a summer project called Jardim Sonoro (pt. Sound Garden), will also attract other ambitious electronic music producers such as Matthew Herbert or Dixon, and here is why I would like to dedicate a short paragraph to electronic music in Portugal.

Since currently I’ve been living in Berlin where electronic music can be heard even in grocery shop, no other place on Earth can compete with DJ line ups and a density of EDM producers per square km. However, world can definitely be grateful to Lisboa – Luanda connection for bringing in some truly crazy rhythms to the dancefloors.

Lately, I have taken part in the music production showcase with Dengue Dengue Dengue who were also hosted by the local Boiler Room edition Stay True. More of the inspirational sounds can be seen from its archive:

Stay True: Portugal edition took place a month ago and besides the Dengue Dengue Dengue duo hosted Buraka Som Sistema as well as DJ Marky  whose Boiler Room back in Brazil is already unforgettable classic of its kind.

I am definitely looking forward to re-discovering Lisbon (I can do it anytime anyway at anytime) at my own bpm pace, simply enjoying the musical and cultural diversity.

I hope that thanks to the initiatives like Stay True this city will get even more visibility for the music aficionados.

 

 

Relaxa – how to get through the cold and dark days

Music, Personal

This very laid-back and relaxing post should help to wipe out all the Brazilian-homesickness feelings. Especially in the winter months in Europe.

I personally first escaped the Central European winter a few years ago with relocating to the South of the continent (with a short but life-changing period of living in Brazil), and last year came back to the same four-season pattern in Berlin. I find it physically challenging to get through until end of March or so, but have found my ways. German way of saying “it’s not cold, you’re only dressed inappropriately” helps to shift the focus too. I have to say that having survived summer in Arctic, helped me too.

So, having gathered warm clothes, bought 20 types of tea and mate, I can say I’m prepared. But the crucial thing to survive the dark and cold days is to… listen to Brazilian music!

So let me share you my top 3 tracks that have magically spelled out flu, sore throat, but also depression, loneliness and other side effects of the European winter:

“Relaxa” – the message is clear either if you want to chill out after a tough week, if you’re feeling weak, or contrary – in a party mood. Painel de controle will get you in this upbeat and alegre mood.

“Na Boca do Sol” – reminds me of my Cidade Interior, Brasilia, I used to live for a while. This place, apart from being an architectural and social phenomenon, has shown me the most beautiful and unforgettable sunrises and sunsets.

“Chegou de Bahia” – of course, who wouldn’t be happier if visiting Bahia…

Here I’d like to mention that next month I’ll be travelling to Africa to relax, unwind on the Cape Verde, while listening to mornas. The featured picture comes from Azores though, where, enchanted by its remoteness and beauty, I decided to discover more of the Atlantic archipelagos.

Morna – “Ocean blues”, Cape Verdian emblematic dance and music genre, recognised worldwide mostly by Cesaria Evora’s and Maria Andrade’s works

Que bandeira

Music, Personal

“Faz um ano, faz, que eu tenho muita paz
Quase um ano tem, e tudo muito bem
E se eu não voltar, não vá se preocupar
Todo mundo tem direito de mudar

Que bandeira que você deu
Que bandeira, não me entendeu
Caretice tua chorar
De maneira aqui pra brigar (…)”

These lyrics, coming from Marcos Valle’s ‘Que bandeira’ classic tune are one of my all-time favourites. The essence for non-Portuguese speakers boils down to being free to live wherever you want, being the owner of your destiny, choosing your future regardless of your origin.

“(…) Eu não voltei
E eu não voltei porque agora eu sei
Naquele papel eu ia pro pinel
E se alguém disser que eu me desmontei
Sou dono de mim e faço o que quiser

Que bandeira que você deu
Que bandeira, não me entendeu
Caretice tua chorar
Caretice tua brigar (…)”

So it’s been almost one year in Berlin. It’s good to make a retrospective of what I planned to accomplish, and what I actually did. The most important thing is that I feel happy, although the fact is that I am very free to travel and re-visit my beloved places. I have also started gathering my learnings and thoughts on my paralel blog: Berlinering, where I describe my current experiences and soon will publish some sort of essence of my first year in Germany.

‘(…) Sigo te querendo, te cantando, procurando uma desculpa,
Te querendo mais.
Vou te cantando, te querendo, procurando uma desculpa,
Te cantando mais.
Sigo procurando uma desculpa, te querendo, te cantando,
Te querendo mais
Vou procurando uma cantada, te querendo, me desculpe,
Te cantando mais

Tou sabendo de você
Tou sabendo, podes crer!’

I still love the places I lived or been to (like this heavenly beach of Joaquina in Brazil pictured above), but I don’t long for them. I know that if I want to come back, I would, anytime. This is probably why I am so happy here, about the choice and opportunity, and not the necessity. Because everyone should be free to live wherever he/she wants to. I would love this to be valid for everyone, in this crazy world we live in…

Glücklich in Brasilien & alegre em Alemanha

Music

There are definitely more links between Brazil and Germany than love to football (which can actually at times turn into mutual hate). Love for Volkswagen and music sounds like a safer bet. I would love to dedicate this post to DJ Rainer Trüby thanks to whom I discovered Brazilian classics and its modern sounds long time ago.

Alongside with Sonar Kollektiv in Berlin and Gilles Peterson in London, he was feeding the audience worldwide with the best of Brazilian sounds by releasing the Glücklich series with the record label Compost Records. Thanks to my colleague who sold me his sound system last week, I could come back to my favourite compilations on CDs (with the legendary fusca on the title page!) and casettes. It’s not that I’m one of those unbearable Berliner hipsters, it’s just that I still have my radioshows from the 90s/early 2000s recorded there. And Shazam does not recognize all of the tracks, and nor have my über-musical friends so far.

While researching a bit more about what he’s been up to lately, I’ve come across this interview which I find pretty interesting (even though it’s in Spanish, not in Portuguese!):

As days become more longer, warmer and simply: happier here, my soul needs more upbeat rhythms and to make this positivity to an unbearable level. Although Brazilian music seems to be universal, and especially recommended while being down, and facing worse days in life.

The unforgettable Glücklich compilations can be found here:

It offers a wide selection of the Afro-Luso-Brazilian, MPB, samba and most importantly, the contemporary fusion, also with the European producers. One of my favourites – “Bohemian” by MURO (in Bah Samba’s remix) is actually sung in English and was one of the first EPs where I discovered the overwhelmingly powerful voice of Alice Russell. “Direction? Changing myself, keep moving… all around the world”.

fusca – Volkswagen ‘Beetle’, extremely popular in Brazil from 60s till now.

See the Sun

Personal, Travel

For those who are still wondering if I plan to keep writing about soundscapes full of sun, heavenly beaches and related, I made the resolution for 2015 to update the blog regularly. Yeah I know, no one keeps the New Year’s resolutions, but let’s give it a try.

Last weeks has been filled with integrating in Berlin, and for this purpose, new blog has been created. I am still so high on this city’s vibe I could spend hours writing, if only I had some spare!

Now, contrary to the wintery, shortest days in this part of the world, I am escaping to the Europe’s southern-most archipelago to charge my solar batteries and breathe Ocean’s breeze.

With this, I wish you all who care about me and/or the blog, lovely holidays full of warmth, be it literally or metaphorically!