São Paulo: abstraction and society

Music

One of my highlights last month was a business trip to London where I had a chance to learn a lot and meet a lot of new inspirational people. Apart from that, there is no visit in London for me without checking the Art Cathedral: Tate Modern, so during the weekend I spent endless hours binge-eating modern art.

Among various exhibitions, I was particularly happy to see the corner dedicated to Tropicália movement and abstract art coming from São Paulo Biennale. It was founded in 1951, during a moment of very rapid economic growth and urban development in Brazil.

A decade later, Tropicália movement emerged in theatre, poetry, cinema, music and art as a critical response to the political crisis, Brazilian stereotypes and disparate influences. In the music world, Gal Costa, Elis Regina, Caetano Veloso and Gilberto Gil are the most famous artists to name. Here’s one of my fave songs by Elis Regina:

A tua falta somada
A minha vida tão diminuída
Com esta dor multiplicada
Pelo fator despedida

Deixou minh’alma muito dividida
Em frações tão desiguais
E desde a hora em que você foi embora
Eu sou um zero e nada mais

In poetry, Roberta Camila Salgado published her works during the times of political repression and censorship:

céu escuro por que não limpas e iluminas o meu mundo?

So thanks to this exhibition I travelled back in time to Brazil where not only I’ve spent some time living in Brasilia, but also have been travelling around the country between 2011-2013. Nowadays I am no longer up to date following up on social and political crises, but prefer to focus on discovering progressive and bold artists which emerge a new movement 50 years later.

Having said that, I’d like to acknowledge my São Paulo-based friends producing quality techno and house which is already influencing dancefloors beyond Brazil, as well as fighting for the parity for women in the electronic music scene.

 

 

 

 

 

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