Lisbon is especially interesting place for those who would like to discover not only Portuguese, but also Afrolusobrazilian culture.
It is a perfect place if you go to different Portuguese-speaking destinations, either as a stopover location or a final destination. To me Lisbon served as both for the past couple of years. After a brief episode of living in Portugal, I always felt certain nostalgia (cliche term of saudade is definitely relevant here) after this place and longing to travel to Portuguese-speaking destinations.
So last Christmas I gave my heart to the archipelago of Cabo Verde
and of course, made a stopover in Lisbon
. Apart from some very interesting animation show at the Praca de Comercio, there were some other highlights of that short stay, such as joining capoeiristas
by the sunset.
This is where a friend of mine, who is very influenced by afrolusobrasilian
culture, introduced me to some cultural associations and places where typically descendants of Portuguese-speaking African countries organize their concerts, events or festas
I was also lucky to try the typical food from Cabo Verde: cachupa, before actually reaching my final destination. Be it Cabo Verde, Sao Tome e Principe, Moçambique, Angola
or Guiné-Bissau, or even further in the world: Timor Leste, Goa or Macau – you will find all the places inside Lisbon, like travelling without moving.
Obviously, this has to do a lot with the history, and multiculturalism of Lisbon is an effect of post-colonialism processes. Upon my arrival from Cabo Verde I started digging deeper the topic of the descendants of the African countries living in Lisbon. ‘Nôs Terra’
shows the day-to-day specificities and also struggles of the Caboverdean community in Lisbon. It shows processes familiar to everyone who ever relocated, the in-between state of not belonging anywhere (the country of origin and current location).
I hope though that the unique multiculturality of Lisbon will stay a value itself. Music industry has already spotted Lisbon as one of the most interesting places in the world and so is becoming with art in general. There is no place like Lisbon, colourful, diverse and full of inspiration.
What is the connection between a remote peninsula in Alentejo and a well-known digital art conference? Well, both relate to the Trojan Horse. The conference and collective are named after a Trojan Horse (who) was a Unicorn, and its anual venue takes place in this remote, peninsular location of Troia in Portugal.
I was invited there last week to meet a bunch of concept artist, illustrators and animators from the film, entertainment and gaming world. It took me only two days to interview about 70 people and see their portfolios, some of them presenting pretty interesting (or at least: quirky) stuff.
The place itself is also specific, to put it this way. Three years ago there was nothing more than a fishermen village on this enchanting peninsula South of Lisboa Metropolitan and Setubal anyway, surrounded by the Sado river estuary and Atlantic Ocean. Then, the luxury resort was built and although architectonically it’s not that much of a disaster, it has a strange feeling.
This is what happens often in places that offer great climate and nature sights all year round: it attracts greedy real estate investors. Hopefully Troia was not entirely covered in concrete and glass, and the National Park of Sado River Estuary was preserved carefully.
Being a complete sucker for Portuguese landscape, cuisine, language and what-not, I enjoyed my stay in the luxury village of Troia. Thanks to some tiny cafés and restaurants that remained there, as well as great companion of those who participated in the Trojan conference.