What is the connection between a remote peninsula in Alentejo and a well-known digital art conference? Well, both relate to the Trojan Horse. The conference and collective are named after a Trojan Horse (who) was a Unicorn, and its anual venue takes place in this remote, peninsular location of Troia in Portugal.
I was invited there last week to meet a bunch of concept artist, illustrators and animators from the film, entertainment and gaming world. It took me only two days to interview about 70 people and see their portfolios, some of them presenting pretty interesting (or at least: quirky) stuff.
The place itself is also specific, to put it this way. Three years ago there was nothing more than a fishermen village on this enchanting peninsula South of Lisboa Metropolitan and Setubal anyway, surrounded by the Sado river estuary and Atlantic Ocean. Then, the luxury resort was built and although architectonically it’s not that much of a disaster, it has a strange feeling.
This is what happens often in places that offer great climate and nature sights all year round: it attracts greedy real estate investors. Hopefully Troia was not entirely covered in concrete and glass, and the National Park of Sado River Estuary was preserved carefully.
Being a complete sucker for Portuguese landscape, cuisine, language and what-not, I enjoyed my stay in the luxury village of Troia. Thanks to some tiny cafés and restaurants that remained there, as well as great companion of those who participated in the Trojan conference.